Pin It

Parting Shot: Michael Crawford 

click to enlarge U.S.A (No.74), Michael Crawford, acrylic on torn palette paper on paper, 22"x 30", 2012
  • U.S.A (No.74), Michael Crawford, acrylic on torn palette paper on paper, 22"x 30", 2012
A couple of years ago, I started seeing an elegantly disheveled gent—dressed in a blue oxford shirt, rumpled khakis, ball cap, and tennis shoes—riding his bicycle around Kingston. He looked every bit the collegian headed to class, albeit 40 years out of school. This remarkable fellow was none other than Michael Crawford, an artist best known for his wry, minimalist cartoons that started appearing in The New Yorker in 1981. Crawford's wife, Carolita Johnson, who is also a cartoonist for The New Yorker and cartoon editor of Chronogram's sister publication Upstater, describes his paintings and his cartoons as similar in style. "His cartoons were what I would call 'expressionistic,'" says Johnson. "They consisted of only the necessary lines and shadows required to convey the idea he wanted to express. Though he would often redraw or repaint the same image over and over till he was satisfied, he wasn't interested in being neat about it. 'Perfect' and 'neat' were not the same thing. In a painting, a face could be a few bold strokes of color, and the chiaroscuro of his cartoons, done in commercial markers, was painterly."

The humor in Crawford's work flowed back and forth between media and his life. Fellow cartoonist Roz Chast described him as possessing "a loose, sweet, jazzy style"; New Yorker editor David Remnick saw a "wild, improvisational streak" in Crawford's work. His wife, Johnson, was perhaps his most perceptive critic. "You'd look at a painting that looked perfectly serious and eventually realize you'd been duped, you'd just burst out laughing," says Johnson. "He was hard-wired to find the humor in, or the alternate, funny version of any situation. His sense of humor was irrepressible, and it showed in his life's work." Michael Crawford died at home, in Kingston, on July 12, at the age of 70.

Speaking of...

Comments

Subscribe to this thread:

Add a comment

Readers also liked…

  • Do You Believe in Magic?

    "Nomina Magica" will be at the Seligmann Center in Sugar Loaf through January 9.
    • Dec 1, 2016
  • Dale Chihuly: Ulysses Cylinders

    An exhibition of early glass work by Dale Chihuly at Vassar College's Thompson Memorial Library.
    • Nov 1, 2015

Hudson Valley Events

submit event

Getting On With It

Wed., May 24, 5-6:30 p.m. — Book talk with Coach and Author, Peter Heymann. He will read from...

View all of today's events

Latest in Visual Art

  • On the Cover: Margot Kingon
  • On the Cover: Margot Kingon

    Margot Kingon discusses the interconnection between her family and her creative work.
    • May 1, 2017
  • Beacon Open Studios
  • Beacon Open Studios

    The ninth annual Beacon Open Studios tour features a self-guided tour of over 50 artist's studios the weekend of May 13-14.
    • May 1, 2017
  • Parting Shot: May 2017
  • Parting Shot: May 2017

    Burst by Linda Stillman
    • May 1, 2017
  • More »

Related to Visual Art

More by Brian K. Mahoney

Hudson Valley Tweets