Paper Politics: Socially Engaged Printmaking Today
edited by Josh MacPhee
PM Press, 2009, $24.95
Prisons echo slave ships, an apartment building becomes a clenched fist, labeled body parts bleed on a table. Over 200 printmakers are featured in this eye-opening, mind-bending compendium of posters, street flyers, and politically charged works of hand-printed art. Contributing Hudson Valley artists include Sue Coe, Maureen Cummins, Josh Kramb, Nathen Meltz, and Sam Sebren.
Taekwondo: A Path to Excellence
YMAA Publications, 2009, $14.95
Warwick-based Taekwondo Master Cook, who holds a Fifth Dan Black Belt and has authored two previous books, sets out the steps to “achieving physical and spiritual enrichment through disciplined practice.” Addressing the 21st-century practitioner of this traditional martial art, he offers a historical overview, inspirational guidance, and tales of his travels and training in Korea.
Rock & Roll Jihad: A Muslim Rock Star’s Revolution
Salman Ahmad, introduction by Melissa Etheridge
Free Press, 2010, $24.99
Growing up in Rockland County, New York and Lahore, Pakistan, Ahmad spread the gospel of rock and roll even under President Zia-ul-Haq’s fundamentalist dictatorship. In this impassioned memoir, “the Bono of Southeast Asia” details his evolution from rebel outsider to global citizen, fronting the bestselling band Junoon and traveling the world as a United Nations Goodwill Ambassador.
Herb Trader: A Tale of Treachery and
Espionage in the Global Marijuana Trade
Woodstock Mountain Press, 2009, $18.95
An autobiographical saga of crime, punishment, and high-level government corruption that reads like a paranoid thriller (remember Midnight Express?). Jailed in Cambodia in 1998, Woodstock marijuana smuggler “Max” Torsone was clearly not meant to live to tell this tale of Caribbean luxury yachts, sinister twins, rigged elections, and bales of combustible cargo. Luckily, he beat the odds.
No Such Thing As Silence: John Cage’s 4’33”
Yale University Press, 2010, $24
Hate it or admire it, Cage’s four-and-a-half-minute noteless composition, which debuted at the Maverick Concert Hall in Woodstock in 1952, is the Duchamp’s-urinal moment of 20th-century music. Bard professor Gann explains the context of Cage’s breaking down of the art/nonart barrier, suggesting influences as diverse as the Hudson River School of painting, zen, and Meister Eckhart.