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The Tourist, B.B. Nelson, oil on canvas, 20" X 30", 2002

Maine-based painter B.B. Nelson describes herself as a contemporary realist. Nelson’s work takes a left turn on the road to hyperrealism, flirts with surrealism, and tips its hat to still-life. She paints primarily in oils and finds her inspiration in everyday objects—cameras, tea cups, wrenches—leaving viewers to question their perceptions of “the ordinary.” Nelson’s “Red Clothespin” series, which includes The Tourist, places a sequence of familiar objects in one incongruous situation: hung on a clothesline. For example, Shuttle Diplomacy features three crisply detailed white shuttlecocks pinned on a clothesline against a two-dimensional background; in First Edition, two books, one pinned open and one closed, hang in dull gray space. Paintings by Nelson are currently being exhibited at the Anchorage Museum of Art and History; Alpan Gallery in Huntington, New York; Sanville Gallery in Cumberland, Maryland; and Anderson Gallery in Provo, Utah.

 

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