Timothy Cahill
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Articles and Blog Entries
“Cast Images: American Bronze Sculpture from the Metropolitan Museum of Art” continues at the New York State Museum through February 24, 2008.
Sanam November 30, 2007
The idea for the painting Sanam came to Troy-based artist Jon Gernon, as he puts it, in a “flash” when he saw a family friend wearing a T-shirt she’d made based on the “Coexist” bumper sticker.
Joseph Dalton, William Doiron, Michael Fallarino, and Nina Shengold contribute to December’s issue.
As executive director of Historic Albany Foundation, Holland has dedicated herself to the preservation of Albany’s neighborhoods.
I’m as much a creature of my age as anyone, and wouldn’t want to live in a world without plastic. But there’s no way we need so damned much of it.
In the nearly two decades since his first stitch, Ray Materson has depicted episodes of violence, abuse, and degradation, as well as scenes of tranquility, joy, and redemption.
Four poems by poet Anthony Bernini, author of Distant Kinships.
Buddha in a Cage and other images from “The Chinese” are part of the “New Acquisitions/New Perspectives” exhibition on display at the Williams College Museum of Art through January 6, 2008.
Six book reviewers tell readers their top two recommendations for books of the year.
“Chinese Shadow Figures from the Collection of Dr. Fan Pen Chen” is on exhibit from November 2 through January 6, 2008.
“The Hapa Project: Portraits by Kip Fulbeck” is on view at the Mandeville Gallery, located in the Nott Memorial building on the Union College campus in Schenectady, through February 3, 2008.
Five works by poet and teacher Nancy Klepsch.
Timothy Cahill speaks to psychologist and author Ed Tick.
It’s November, the waiting season. The changeover. The interregnum between the kingdom of plenty and the kingdom of ice.
Jim de Seve, Tracy Frisch, Amy Halloran, and Michael Oatman contribute to November’s issue.
9 Lives October 29, 2007
Charles Bremer’s images are on exhibit through November 25 at Amrose Sable Gallery, 306 Hudson Avenue, Albany.
David Fuentes has made his disability the foundation of his art, and has produced an extensive series of self-portraits in which he portrays his body as atrophied and earthbound.
Timothy Cahill interviews October’s local luminary, Daniel Klein.
One of the advantages of being a journalist is that you go places you have no regular business being. If it hadn’t been for my job, I might never have found myself in Dick Callner’s Latham home.
Amber S. Clark, Jennifer May, Tobias Seamon, and Erika Alexia Tsoukanelis contribute to the October issue.
Lora Shelley’s inspiration begins in childhood when, as a teenager in the New Jersey suburbs of Manhattan, a big part of her social scene was hanging out in diners.
“Just Passing Through,” an exhibition of Vonnegut’s surreal semi-autobiographical narratives, is on view at the Ferrin Gallery in Pittsfield, Massachusetts, through October 8.
The centerpiece of the collection is a first-rate group of Winslow Homer paintings and watercolors, followed by a strong collection of works from the “Ash Can School,” urban realists working in the early 20th century.
Chris Stain’s art is a way of coming to terms with a life he is no longer part of. As an adolescent, he says, he knew he wanted to escape a blue-collar existence.
September’s featured contributors.
Everyone who’s lived in the Capital Region over the past five years has noticed the wave of rapid changes here, but it’s unlikely anyone has observed them more intimately than Philip Morris, the burly CEO of Proctors Theatre in Schenectady.
From a distance, Judith Linhares’s paintings are pure candy-coated fantasies. The colors strike you first, pinks and purples, phosphorous greens, aqua- and ultramarines.
Chung is a food service worker in Albany who took part in a nationwide project that provides cameras to union workers as an opportunity to document their lives.
I had already figured out that the course of events there was being charted by men no honorable person could emulate: men with names like Westmoreland, Calley, and Nixon.
Since it was launched in 2000, the Edwood Film Festival has become the Capital Region’s preeminent annual film event.
In the two years Megan Whilden’s been Pittsfield’s culture czar, the Colonial Theater has opened and the Barrington Stage Company moved to town.
August’s featured contributors.
In New York State, these yellow signs are as common in the suburbs as minivans. The wording on them reads like some macabre poem: PESTICIDE APPLICATION/ DO NOT ENTER/ DO NOT REMOVE/ SIGN FOR 24 HOURS.
If the photographs for which Eve Sonneman is best known can be seen as a kind of visual phenomenology, her oils are forays into the sensual pleasures of light and color.
No artist epitomizes Impressionism more than Claude Monet. His famous paintings of Paris and the Normandy coast are among painting’s purest celebrations of color and light.
The show Douglas chose, while possessing the Regional’s usual variety, is perhaps more weighted toward craft than is usual for a contemporary art exhibit—craft, in this sense, meaning the expert use of materials as a defining element of the work.
At a distance, his paintings look like traditional scenes of rivers, mountains, or city skylines. As you approach them, though, they envelop the eye in layers of visual and textual interplay.
Francisco de Goya cast a cold eye on the cruelty and corruption of his fellow man, be he king or inquisitor, aristocrat or judge.
Chronogram is a place for the fluid exchange of thought, knowledge, observation, insight, pleasure, bliss, desire, imagination—all the active machinery of being human.
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