Daily Dose | Hudson Valley; Chronogram

Saturday, August 31, 2013

Woodstock's New Shop Is Sew Fabulous

Posted By on Sat, Aug 31, 2013 at 9:00 AM

The new SEW Woodstock in Bearsville
  • Photosensualis
  • The new SEW Woodstock in Bearsville

This Labor Day Weekend, come sew your wild oats. Sew yourself a little black dress, or some beaded fingerless gloves. All weekend long, today through Monday, you can come and stitch for free at SEW Woodstock, the new shop on Route 212 in Bearsville, a quarter-mile down from the Cub Market.

"Many people can't find the space to sew at home," says SEW Woodstock owner Sally Russ. "They have to clear their dining table and it's a whole production." In her new shop, people have plenty of space to play, as well as access to all the machines and supplies they need - not to mention the company of fellow sewing enthusiasts of all levels and abilities. "We want people to see how much fun it is to sew together," says Russ.

The idea for the business grew out of Russ's weekly "stitchy day" gathering, in which her seamstress (and wannabe seamstress) friends come to sew, relax, chat, nosh, and offer advice and admiration of each other's creations. When the group grew too big for its britches, Russ started envisioning a shop based around the concept, and SEW Woodstock was born. She found space in the old Loominus building, and spent months restoring it with reclaimed wood and other details that match her warm, earthy aesthetic (Russ is also a photographer in the local notable Photosensualis duo, with Michael Williams).

One of the core offerings at SEW Woodstock is its Stitchers' Co-op, which lets members come and sew anytime during the store's open hours for $40 a month. The shop also offers classes and workshops with its lead teacher, Molly Farley, whose first class, "Making Peace with Your Sewing Machine," starts on September 21. (You don't have to be a member of the co-op to take classes.) Offering an array of artisanal and organic fabrics, creative kits, and notions, SEW Woodstock is also the place to bring your tailoring and alterations.

Mostly, it's a space to let your creativity blossom - and a great new addition to the crafty-store vibe in artsy Woodstock.

SEW Woodstock is located at 3257 Rte 212 in Bearsville. Phone: (845) 684-5564. The shop has no website yet, but check out its Facebook page.

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Friday, August 30, 2013

Top Five on Friday: What I've Learned

Posted By on Fri, Aug 30, 2013 at 9:00 AM

Jennifer Gutman and Brian K. Mahoney
  • Jennifer Gutman and Brian K. Mahoney

Hi all,

My name is Jennifer, and I've been writing these Top Five on Friday posts since early March. I've very much enjoyed working on the top five every week, aiming to bring a bit more substance to the "Best Of" lists now ubiquitous on the web. Each week, I do research into a given topic, and try to support our top picks with description, examples, and good humor—all with the purpose of informing our readers of the great and varied things going on in the Hudson Valley.

I'm taking this moment of authorial intrusion to tell you that this will be my last Top Five on Friday post. I've been working at Luminary Publishing for a bit over a year now, and I will no longer be in the position of assistant editor here. Happily, I will still contribute to Chronogram (and occasionally make guest appearances on the Chronogram Conversations podcast) as I pursue a precarious yet ever-alluring career in teaching.

Meanwhile, I'd like to take this time to tell you about the top five things I've learned while working at Luminary Publishing, and serving as assistant editor to a publication that I feel a great amount of love and respect for.

1. Be happy where you are.
When I graduated from SUNY New Paltz with my BA in English, I wanted to go to grad school somewhere far away. I applied to schools all over the country, got accepted to NYU, and was just about out the door before a fortuitous run in with an old professor and an offer for a teaching assistantship while I completed my masters degree. After I completed my MA, I still had the itch to go far away. I wanted to move to France, and applied to teach abroad programs that would allow me to live in Europe for a couple of years. Long story short, I didn't get accepted into a program and ended up at Chronogram. After spending the past year immersed in this regional publication—interviewing people and getting to know more about the multifaceted cultural landscape of the Hudson Valley—I have a newfound appreciation for the area. Through Chronogram, I've learned that the Hudson Valley is such an exciting place to live, with interesting, inspiring, and provocative developments at every turn. Though I'm still interested in traveling, I feel a contentedness with living in the Hudson Valley that I hadn't had before. The grass may always be greener on the other side, but it can't get much greener than it already is here.

2. Stay positive.
In any job, there are going to be days that are difficult, trying, stressful, tedious. If you let them, these moments can get the best of you. When I first started working at Luminary Publishing, Chronogram launched a new website, and I became heavily entrenched in updating and managing its content. For those of you who have not done this type of work, it involves a lot of attention to very minute detail. This was an intimidating world for me at first—I had never worked so intimately in the digital sphere, and even considered myself a bit of a Luddite. But there came a point when I realized that the way I felt about this work was not dependent on the nature of the work itself, but on the way I thought about it. In his speech "This is Water," David Foster Wallace gives advice to a graduating class about being in control of the way you think about day-to-day occurrences. He says,

"As I'm sure you guys know by now, it is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head. Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: Learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed."

This perspective is transformative—the seemingly mundane routines of your daily life become opportunities to learn and grow. No matter what you spend your time doing, you have the choice to approach it with positivity and open-mindedness. Try to.

3. Take breaks.
I don't smoke cigarettes. Never in my life have I felt at a disadvantage because of this—until I started working in a small, intimate office environment. Every hour or so, I watched my coworkers go outside where they got to spend a few minutes away from their computers, chatting with each other and briefly disconnecting from the workday. In the beginning, I didn't take breaks. I stayed intensely plugged into my work, eating lunch at my desk and getting up only when the forces of nature beckoned me to the bathroom. I don't encourage this. A short walk around the block, lunch on a bench in a park, even standing up for a stretch now and again can set a whole new tone for your day. This isn't a new idea—it's a hot topic in conversations surrounding the general health and well being of people who work in office settings—but if you're anything like me, you'll have to stay on top of yourself and remain active in your pursuit of the small things that can bring some joy and levity to your day.

4. Express yourself.
Have ideas and share them with people, whether you're expected to or not. Nothing is unchangeable, and a small, seemingly insignificant thought might be the seed for something great. Some of my favorite memories at Chronogram involve sitting around a table and brainstorming ideas with Brian, my editor, and other coworkers—whether searching for a pithy title or trying to come up with a new, inventive way to approach a much-written-about topic. Most recently, I had the pleasure of serving on the planning committee for Chronogram's 20th Anniversary Block Party. The beautiful, brilliantly executed day of community and celebration was a product of a few small, silly, unformed ideas spat out around a table of highly caffeinated Chronogram staffers. Being a part of that collaborative effort—and watching it take shape on Wall Street a couple of weekends ago—was a very bright spot in my time here.

5. Be professional, but don't take yourself too seriously.
This balance is difficult to maintain. Working in a deadline-oriented environment has taught me that. Things need to get done, and they need to be done well. While working for Chronogram, I was not just representing myself, but the publication as a whole. Mistakes I made reflected poorly on the magazine, and I was responsible for maintaining a standard of excellence in everything that I contributed to it—from a 1,500-word article to the way I cropped an image on the website. Approaching your work with professionalism, respect, and care is very important, but of almost equal weight is the importance of being lighthearted, flexible, and humble. Though mistakes should be avoided, they will be made. When they are, you can't beat yourself up over it. All you can do is try not to make the same mistake again, continuously work toward being your best self, and feel okay with the fact that that will always inevitably fall short of your ideal self. Last March, I went to a show at BSP Lounge (one of the many fantastic local shows that I attended after learning about them through Chronogram). The show was by Jeffrey Lewis, an "anti-folk" singer-songwriter. During his set, he played a song called "Time Trades" that deeply moved me. The song itself is simple and straightforward—like a kids' sing-along song—but it packs a powerful message. It is this song's message that I think best articulates the most important thing that I've learned this past year. Here, listen:

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Peace, Love & Cupcakes in Woodstock

Posted By on Fri, Aug 30, 2013 at 9:00 AM

The Jerry Garcia will send vegans and non-vegans into orbit

When I'm craving something sweet I head over to Woodstock, Peace & Love and Cupcakes, a cupcake bakery in Woodstock. I was there for their grand opening week in June 2012. All the cupcakes I tasted there were delicious. I bought 3 at $3 dollars each. I tried The Dylan, which is a carrot cake and cream cheese frosting, 1 Woodstock Tie-Dye a vanilla bean cupcake, and 1 Jimi Hendrix, which is mocha cupcake with triple shot espresso cream. (It was hard, but I shared the cupcakes with my family!) I have since tried the vegan Jerry Garcia cupcake, which is my new favorite. It's made of banana bread with extra moist fudge frosting. The shop is sort of tucked away behind the Dharmaware store so follow the Cupcake signs to the cupcakes.

Follow Vanessa Ahern's blog Hudson Valley Good Stuff for where to eat, play, and recharge your spirit in the Hudson Valley.

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Thursday, August 29, 2013

EMEFE Brings the Funky Grooves to Kingston

Posted By on Thu, Aug 29, 2013 at 9:00 AM

EMEFE
  • EMEFE

In addition to laying down the rhythms for Brooklyn’s Antibalas and Superhuman Happiness, drummer Miles Arntzen leads the 10-piece collective EMEFE. While the meat of the band’s sound shares the heavy Afrobeat influences of Arntzen’s other outfits, the horn-heavy EMEFE throws in some unexpected stylistic elements—garage soul organ, distorted no wave guitar—to create a spicy, spiky danceable stew all its own. And that simmering blend will be served up hot when the group plays Kingston’s BSP Lounge next week.

Open wide, 'cuz here’s a funky, funky, fuh-hunky spoonful:

http://www.youtube.com/watch?v=DbFCqgQqhEE

Also on the bill is Mad Satta, a slammin’, a femme-fronted soul/R&B octet “that combines the sounds of old school soul music with hip-hop, rock, and jazz to create an original sound that has been turning heads since its inception.”

EMEFE and Mad Satta will perform at BSP Lounge in Kingston on September 1 at 8pm. Tickets are $7. For more information, call (845) 481-5158 or visit http://bspkingston.com/.

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Wednesday, August 28, 2013

Recap of the Chef Challenge at the Woodstock Farm Festival

Posted By on Wed, Aug 28, 2013 at 9:25 AM

Kathleen Reynolds, Eve Fox, and Michael Rosario judge 9 different dishes made of market ingredients
  • Hudson Valley Good Stuff
  • Kathleen Reynolds, Eve Fox, and Michael Rosario judge 9 different dishes made of market ingredients

I found out about the Chef’s Challenge at the Woodstock Farm Festival at the last minute. Kathleen Reynolds from Edible Hudson Valley, who judged cupcakes with me at the Gardiner Cupcake Festival, was one of the lucky judges of the Chef’s Challenge and invited me to watch her in action again with two other judges. When I arrived around 6pm the scene was like one of those chef shows where the competitors are thrown into a camping setting and are scrambling to put the finishing touches on rustic dishes. There were 3 teams: Chef Curt Robair, executive chef at Menla Mountain Retreat, Chef Kiran Ramgotra-Sancious,, and Chef/consultant Ritchie Kim, all talented local chefs who each had a sous chef were taking part in the Chef Challenge for local bragging rights, fun, and to entertain shoppers. (The Chef Challenge is an annual event at the Woodstock Farm Festival market).

The chefs were given 15 minutes to spend $50 at the farmers' market for food that would used in their dishes. Categories to be judged: most creative, most economical, best use of market ingredients, favorite dish among the judges, easiest, and most family friendly. The recipes and dishes will be posted on Woodstock Farm Festival’s Facebook Page soon. More photos of the Chef Challenge can be viewed at the Hudson Valley Good Stuff Facebook Page, which I invite you to Like too!

It is always fun to eavesdrop on on-lookers who have judging-envy. “Who are the judges?” asked one woman to her friend. “Oh, I don’t know,” she answered. “I guess you have to have connections,” grumbled the friend. Well, the expert judges were: Eve Fox of Garden of Eating, Kathleen Reynolds of Edible Hudson Valley, and Michael Rosario of Gigi’s Trattoria in Rhinebeck. As the dishes were being plated, and then served to the judges at their table, people swarmed around the table, commenting and drooling over the food. Reynolds and Fox dealt with this with good humor, but remained focused on the task at hand. Rosario, the Robert Downey Jr. look-a-like, blocked out the distractions and concentrated on the food.

Around 7pm Reynolds and Fox shared their thoughts and admiration of the food with the chefs and the remaining viewers. I didn’t stay for the entire speech, but it was more of a foodie conversation than a declaration of winners. Winners will be listed on the Woodstock Farm Festival Page. Were you there? What did you think? What is your favorite local chef/cuisine challenge? I’d love to be a judge again!

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Tuesday, August 27, 2013

Hudson DJ Rich Conaty Unveils New Archival CD

Posted By on Tue, Aug 27, 2013 at 9:00 AM

Rich Conaty
  • f-Stop Fitzgerald
  • Rich Conaty

One of the most fun-filled features I’ve written for Chronogram was the one I did a while back about Hudson’s Rich Conaty, who recently celebrated his 40th year (!) of hosting his incredible radio show, “The Big Broadcast.” Airing every Sunday night on New York’s WFUV, the program is a joyous, four-hour celebration of the vibrant jazz and pop music of the 1920s and 1930s that has legions of devoted fans the world over. Besides holding forth with the show itself, Conaty also curates a series of compilation CDs that feature the 78s he spins on the air, many of them extremely rare. Recently, The Big Broadcast, Volume 8 appeared on Rivermont Records—and what a kicker it is.

With 27 alternately rollicking and dreamlike cuts, the sonically stunning comp shows the rich, full color of this peak period of popular music, covering dance bands (a scarce 1933 radio remote by Vincent Lopez and His Orchestra), hot jazz (Jack Pettis and His Pets, Don Redman and His Orchestra), piano soloists (Lee Sims), suave crooners (Nick Lucas), novelty singers (Billy Costello), and hot-cha flapper gal vocalists (Ruth Etting). And, as if that’s not enough, the release is packaged with a second disc of sample cuts from the Rivermont catalog. YouTube digging doesn’t yield any tracks from the newest CD, so feast your ears on this on this 1930s humdinger by Jack Shilkret and His Orchestra from The Big Broadcast, Volume 5:

http://www.youtube.com/watch?v=3CPGgPIyCHU

The Big Broadcast, Volume 8 is available from Rivermont Records. Tracks can be heard at http://www.rivermontrecords.com/. “The Big Broadcast” airs from 8pm to midnight Sundays on WFUV, and streams live at www.wfuv.org.

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Monday, August 26, 2013

Ice Cream Station in Phoenicia: Ice Cream & Homemade Fudge

Posted By on Mon, Aug 26, 2013 at 12:32 PM

Ice Cream Station in Phoenicia

There is a fudge for everyone one at the Ice Cream Station

As it is the beginning of the end of summer 2013, I've been paying more attention to ice cream. I don't always indulge, but it is hard to pass up the ice cream at the Ice Cream Station in Phoenicia. I went there last week, and I was reminded by the helpful staff that they are very proud of their fudge. The flavors come in red velvet, maple, butterscotch, dark chocolate caramel toffee, dulce de leche, and cherry cheesecake. Next time you are in Phoenicia be sure to stop by and stock up on Catskill fudge! They also have a few toys for the kids to play with, and s small seating area outside.

Find more good stuff by following Vanessa Ahern's blog Hudson Valley Good Stuff, and sign up for newsletter.

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Sunday, August 25, 2013

Hudson Valley Monasteries Open Kids' Hearts (and Quiet Their Minds)

Posted By on Sun, Aug 25, 2013 at 9:00 AM

bodhikids.jpg
My 4-year-old daughter came home from Family Day last weekend at Karma Triyana Dharmachakra monastery proudly holding a picture she had colored of the famous Tibetan Buddhist yogi and poet Milarepa. Her 8-year-old sister told me the story of Milarepa, who was so peaceful from meditation that everyone who met him instantly turned peaceful too.

Had some of the calm rubbed off on my own little Buddhas? Maybe it had. In any event, Family Day at the monastery sounded like a grand idea - good for small bodies and minds. With a little research, I found three Hudson Valley monasteries that open their doors to families with ongoing events:

Once a month, Zen Mountain Monastery in Mt. Tremper offers a three-hour Zen Kids/Teens Sunday Program. Loosely structured around a theme, these events engage kids in the natural world surrounding the monastery, and then enfold these experiences into art, storytelling, or some other creative expression. The morning includes snack time and outside play, and ends to coincide with lunch at the monastery (families are welcome).

Sky Lake, a spiritual center in the Shambhala Buddhist tradition nestled in the woods of Rosendale, has kids' events fairly regularly. The next program is this Monday, Aug. 26 - a Dharma Kids Music & Art Day that includes drawing and writing with Barbara Bash and rhythmic movement with Timothy Quigley.

And Karma Triyana Dharmachakra monastery, in Woodstock, where my children went last weekend, offers an ongoing program called Bodhi Kids. Family Days engage both parents and children, using storytelling, the arts, and environmental awareness to convey Buddhist teachings in a way that young minds can absorb. Lunch at the monastery is part of the daylong program.

Start them early, and who knows? We might have enlightened little beings on our hands.

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Saturday, August 24, 2013

Anonymous Made This: Contemporary Tibetan Art at the Dorsky Museum

Posted By on Sat, Aug 24, 2013 at 9:00 AM

Tenzing Rigdol, 2010, Unhealed
  • Image courtesy of the Rubin Collection
  • Tenzing Rigdol, 2010, "Unhealed"

“Anonymous: Contemporary Tibetan Art,” now on display at the Dorsky Museum in New Paltz, is a fine show: large, authoritative, and—as these affairs usually go—a bit uneven.

Mostly drawn from the Shelly and Donald Rubin Private Collection of Himalayan and related Indian and Chinese art, traditional and contemporary, the show introduces us to a mode of art-making embedded, historically, in a way of making that's usually talked about in hushed, reverential tones. But now, in its contemporary guise, the best of the work on display is invested in all the formal, political, and social concerns that make good contemporary art, well, good.

“Anonymous” makes the case that you can’t understand Tibetan art without understanding the disputed political economy within which it functions and, in historical then-Tibet, functioned. Artists in the show play on their conventionally understood ancestry as they question their descendant futures, under authoritarian Chinese rule. Here, I’m thinking about Tenzing Rigdol’s strong Unhealed, a photograph of the map of Tibet tattooed on his back, years tagged as if they were the art or so many butterfly specimens displayed proudly. Rigdol’s Melong—in traditional terms a “looking glass,” it functions as a way to think about the divine, the spiritual—is a ritual diagram of China’s utter political domination of Tibet, collaged together brilliantly; its colors are compacted and concentrated, right in the center. Everything else is just beautiful decoration.

The best work on display matches its political message to superb formal and material investigations without turning ironic, solely to capture your attention. Stridently critical work is put out in rich paint and extravagant, delicate collage and installations. And, of course, there are some stars in this show. Rigdol is one of them. Tsherin Sherpa’s Protector is a rich diptych, acrylic on gold leafed canvas, a spinning painting that you think used to be a more traditional prayerful representation of both power and, well, protection. Its stunning form, traditions spun out, stands between East and West, the traditional and its now-ness, in a way that I can describe only as “satisfying”.

Now, stepping back a bit, despite the title, “Anonymous”, the show offers the argument that though all the work on display is art, the traditions behind it all functioned as craft in the service of story and reverence. That really, what we call art at the Rubin Museum was really thought of as nothing of the kind by the people who made it, by the people who supported it. So, Karam Phuntsok’s Marpa is embedding in a history that’s more about storytelling than about the visual appreciation of pictures as such. “Anonymous” is then a show about the ways Tibetan art is subverting its own history as, through art, it tries to subvert the politics that’s dominated Tibet for a generation. Lovely then that the most interesting riff on that subversion of anonymity is precisely that so much work on display is tagged Anonymous. That revelation structures much of the melancholy beauty of the show.

But don’t think this is hidebound work, coughing up dryly only on its history. Artists in Tibet are using video, installation, video-installation, sculpture, bits and pieces of ready-mades, and, of course, painting that works every way but loose. Tibetan artists are trained in the contemporary jargon; some in the show are internationally schooled and practiced and it looks it. So, walking down the galleries you might think: either most Tibetan artists doing interesting things are plying their craft and their trade at the level where all art comes out in the “international style,” ready set for international biennials, or the show picked out work that functions on those terms. I think the former and, well, however it cuts, the show has made a contribution to the way I look at the world through art.

So, then, is it that the work on display is so inoffensively postmodern (plays on history, reevaluations of this, that and the other) that the show comes off as uneven? No, it’s rather that though the work on display is inoffensively postmodern, some of the work, in particular Jhamshang’s Mr. XXX trades on the conceit of the postmodern ironist. A work about China’s meddling into international travel in and out of Tibet, the artist offers up a caricature Buddha that looks more like some Harlequin Metropolis android. And though the references are apt, the juxtaposition of those references next to traditional texts, plausibly about the reverential the spiritual, feels shallow. Dedron’s Mona Lisa feels like a Tibetan take on tradition re-fitting in this case the Western canon, spiced with a bit of the East. The work feels facile, though, yes, it is technically, materially, superb. It is this growing toll, technically superb work that takes the easy way out, that makes the show uneven. This, when so much of the work takes subversion as a serious, sincere, difficult affair.

“Anonymous” is up for a long while, until December 15th, in fact. I’m sure I’ll have seen it a few more times in the meanwhile. Do go look into it, if you can. Sure, Tibetan art is of a kind that you’d see in America, that it’s not really exotic and sandalwood perfumed. But, what did you expect?

Look for an article on “Anonymous: Contemporary Tibetan Art” at the Samuel Dorsky Museum of Art in our September issue.

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Friday, August 23, 2013

Top Five on Friday: Favorite Block Party Moments

Posted By on Fri, Aug 23, 2013 at 9:00 AM

Gloria Waslyn with her parrots at the Chronogram Block Party on August 17.
  • Bob Krasner
  • Gloria Waslyn with her parrots at the Chronogram Block Party on August 17.

Chronogram's 20th-anniversary block party exceeded our expectations. So many great people came out to celebrate with us, and there are many memorable moments still lingering in our minds. Here are our top five highlights of last weekend's first (but not last) Chronogram block party on Wall Street in Uptown Kingston:

1. Dunking Booth
Besides the fact that the Kingston YMCA Farm Project raised about $1,000 to help kick start its youth-oriented educational farm, the dunking booth was just a really fun time. So many local notables took the plunge in honor of Chronogram, including Paul Maloney of Stockade Tavern and Joe Concra of the O+ Festival. We might be a bit biased, but our favorite moment had to be watching our goggle-clad editor, Brian K. Mahoney, get dunked nearly 35 times. Thanks for taking 35 for the team, Brian.

2. Beach Ball Drop
Our Chronogram beach balls were a hit. During the set by Superhuman Happiness, Chronogram staffers climbed up to the third story of Jeffrey Milstein's gallery building and dropped about 100 beach balls out into the crowd. A good many of them got caught on the second-story roof, but we persevered, went down to the second floor, and gave the crowd what they wanted. For the rest of Superhuman's set, the night sky was highlighted with streaks of white from the soaring, striped beach balls.

3. Acoustic Improv
The guys at BSP Lounge did a great job with the sound for our lineup of stellar bands at the block party. But, alas, some hiccups are inevitable. When the power went out (momentarily) during Superhuman Happiness's set, they turned a problem into an opportunity. Descending from the stage, the multi-instrumental funk band continued their set amongst the crowd. They were back on stage with full sound in no time, but the brief acoustic interlude was a highlight of the evening.

4. Cover Love
Our Chronogram cover cutouts, which included Terry Rowlett's August 2006 cover Man With Axe, Steven Kenny's January 2011 cover Winterlude, and Dave Horowitz's June 2012 cover Humongous, were one of our favorite parts of the block party. So many people took photos with their faces in these iconic Chronogram covers, including Nee Nee Rushie, singer of The Big Takeover, in the Winterlude cover (The Big Takeover was profiled in that issue of Chronogram!). Many block party attendees also made their own Chronogram cover at our DIY art tent. We got many creative and thoughtful submissions—thanks to everyone who contributed!

5. Parrots
Gloria Waslyn of the Kingston Festival of the Arts came to the block party armed with parrots. Literally—she had two brightly colored parrots on each arm. These stunning birds—with teal wings, golden bellies, mossy green heads, and white and black striped faces—sat politely on the arms of any people who were interested (and many were). Maybe Waslyn will bring the parrots out again for this weekend's Kingston Festival of the Arts—you'll have to go to find out!

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Beginner Restorative Yoga and Meditation @ Majestic Hudson Lifestyle

Beginner Restorative Yoga and Meditation

Tuesdays, 9:30-10:45 a.m. Continues through Jan. 14 — De-stress and unwind with this beginner practice designed to build strength, promote...
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