Lite Brite Neon: A Kingston Fabrication Studio Revives the Neon Trade
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It's a Gas: Lite Bright Neon 

A Photo Essay

click to enlarge Lite Brite Neon office manager Cookie Brindle inspecting a work for artist Glenn Ligon.
  • Lite Brite Neon office manager Cookie Brindle inspecting a work for artist Glenn Ligon.

The history of neon can be traced back to the exuberant experimentalism of the Victorian Age, when inventors like Heinrich Geissler and Nikola Tesla made great advances in scientific, medical, and technological knowledge. Among these breakthroughs were the isolation of a category of elements known as noble gases—neon, helium, krypton, argon, xenon, and radon—and the discovery that when a high-voltage current is applied to the gas in a sealed tube, the gas molecules emit light. This magical illumination inspired the phrase "liquid fire."

The first neon sign was introduced in the US in 1923, hawking a Packard dealership in Los Angeles. Neon lighting quickly became a popular fixture in outdoor advertising, enjoying a heyday in the 1950s but gradually losing ground to municipal ordinances banning the signs and the introduction of cheaper LED bulbs. Today, neon is remembered as an iconic part of the 20th-century American design vernacular, but few new pieces are being made. An exception to the rule is Lite Brite Neon, one of a handful of artist-quality neon fabrication studios currently operating in the US.

Lite Brite Neon Studio began in 1999 as a way for founder Matt Dilling to support his own artistic practice, which focuses on the decorative and architectural possibilities of neon: chandeliers and lighting fixtures. Over the years, the studio expanded to include a range of neon artists working in everything from original gallery work to commercial signage and restoration. When the business outgrew its original Brooklyn location (which now serves as a showroom and design studio) in 2017, Dilling moved production to a 15,000-square-foot former furniture factory in Kingston. Lite Brite's 12-member fabrication team works on 500 to 700 projects a year and operates like a sculptural foundry. Artists and clients bring concepts at various stages of ideation to Lite Brite—some are detailed renderings, some are sketches on napkins—and the team transforms them into neon reality. Litebriteneon.com

—Brian K. Mahoney

click to enlarge Our Infinite Capacity for Love, Erika DeVries - MONICA SIMOES
  • Monica Simoes
  • Our Infinite Capacity for Love, Erika DeVries
click to enlarge I Can Feel, Suzy Kellems Dominik
  • I Can Feel, Suzy Kellems Dominik
click to enlarge I AM, Tavares Strachan
  • I AM, Tavares Strachan
click to enlarge Lite Brite Neon Studio's founder Matt Dilling with his partner Erika DeVries. - MONICA SIMOES
  • Monica Simoes
  • Lite Brite Neon Studio's founder Matt Dilling with his partner Erika DeVries.
click to enlarge Francois Morellet's "No End Neon," 1990/2017. Dia:Beacon, Beacon,  NY. © Arists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Dia Foundation. Photo by Bill Jacobsen Studio, New York. Fabricated for Morellet by Lite Brite Neon Studio.
  • Francois Morellet's "No End Neon," 1990/2017. Dia:Beacon, Beacon, NY. © Arists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Dia Foundation. Photo by Bill Jacobsen Studio, New York. Fabricated for Morellet by Lite Brite Neon Studio.
click to enlarge "en plein air," for Beacon-based artist Robert Brush.
  • "en plein air," for Beacon-based artist Robert Brush.
click to enlarge Custom neon sloth for a private client.
  • Custom neon sloth for a private client.
click to enlarge "Somos 11 Millones/We Are 11 Million," Andrea Bowers in collaboration with Movimiento Cosecha, on the High Line in New York City.
  • "Somos 11 Millones/We Are 11 Million," Andrea Bowers in collaboration with Movimiento Cosecha, on the High Line in New York City.
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