The show consists of 23 pastel images by Phil Sigunick, carefully situated in and around an immersive and contextualizing installation by Michael Asbill. The installation is literally wallpapered in photographic recreations of Phil's interior and exterior spaces. The primary installation reads like a stage set that is breached to reveal Sigunick's artworks in the gallery. An interplay develops between what is inside and outside, past and present, public and private.