Portfolio: Wassaic Project | Visual Art | Hudson Valley | Hudson Valley; Chronogram
Pin It
Favorite

Portfolio: Wassaic Project 

Run of the Mill

click to enlarge Nothing Could Be Finer, from Disorientalism’s “Ready Mix” series, 2011, will be shown as part of Wassaic Project’s “Return to Rattlesnake Mountain” exhibition.
  • Nothing Could Be Finer, from Disorientalism’s “Ready Mix” series, 2011, will be shown as part of Wassaic Project’s “Return to Rattlesnake Mountain” exhibition.

“I am an omnivore when it comes to art,” says Eve Biddle—and she proves it. The Wassaic Project, which she co-founded, offers a free weekend festival of dance, film, music, and visual art from August 3 to 5—inside a seven-story grain elevator!

“Return to Rattlesnake Mountain” is the title of the art show, which includes painting, video, sculpture, and drawings, plus interactive work like Man Bartlett’s “#RunOfTheMill,” which plans to create an “invented history” of the festival while it occurs. Each year, the Wassaic Project features at least two guest-curated shows. “Clean Up,” selected by Anne Huntington, includes Hope Soap, a sculpture of the word “hope” in large white letters, leaning against two contiguous walls by Nic Rad and Adam Wissing. An outdoor installation, with sculpture, video, and interactive art, will be unveiled at the summer festival. Over 100 visual artists in all will participate, including more than 50 former artists-in-residence at Wassaic. Twenty-five hundred visitors attended the festival last year.
click to enlarge Installation view of “Return To Rattle Snake Mountain,” including work by Robin Williams, Lucy Davis Phillips, and Amanda Lechner.
  • Installation view of “Return To Rattle Snake Mountain,” including work by Robin Williams, Lucy Davis Phillips, and Amanda Lechner.

The walls of Maxon Mills (the former grain elevator) are exposed wood, not the blank whiteness of a typical gallery, which means a white object is highly visible, like Ghost by Kelly Goff, a cone-shaped papier-mâché tent whose apex appears to have been eaten by moths. The mill—which once manufactured animal feed—has room for extremely large work, but the gallery spaces also allow small pieces to be shown. The porch of Maxon Mills is the stage for six dance performances, including one by the sinuous Maré Hieronimus. Nearby, Luther Barn, once an auction house, now hosts the film festival, which offers selections of contemporary shorts.
click to enlarge Truth (Hand Mirror, 21 colors), Moza Saracho, 2011.
  • Truth (Hand Mirror, 21 colors), Moza Saracho, 2011.

click to enlarge Hope Soap, Nic Rad and Adam Wissing, 2012.
  • Hope Soap, Nic Rad and Adam Wissing, 2012.

“We’re trying to catch bands on their way up,” says music director Scott Anderson. One of last year’s performers, Elle King, was just named to Entertainment Weekly’s “Must List.” This year’s future stars may include Falu, a fluent Indian singer who performed at a state dinner for President Obama, and Victoire, a Brooklyn-based female quintet which plays triumphant opera-techno. At night, the music is performed in a natural grassy amphitheater centered on the Luther Barn. The backdrop of the stage is the barn’s classic slate roof, installed in 1875.
click to enlarge Three, Jason Mitcham, 2011.
  • Three, Jason Mitcham, 2011.

All the arts reflect each other. Dancers “draw” shapes with their legs. Films are composed of thousands of sequential photographs. Musicians playing their instruments perform minute dances. At a festival like Wassaic’s, one can see the hidden connections between artforms.
click to enlarge Impossible Cloud, Alex Yudzon, 2011.
  • Impossible Cloud, Alex Yudzon, 2011.

Eve Biddle and Bowie Barnett-Zunino met at Williams College in 2000 and began collaborating on art. In 2005, Bowie’s father bought the Maxon Mills building, which had been condemned, and began restoring it. After the work was finished, Bowie and Eve suggested a music and art fair. Tony Zunino agreed, and the first Wassaic Festival took place in 2008 for one weekend. The next year, the art exhibit was extended for the entire summer. In 2010, a residency program was added for artists, writers, and musicians. The history of the Wassaic Project has overlapped with the recession, which forced young artists to jettison their dreams of instant glory. Most of the money for unknown contemporary art dried up. Installation artists began using cheaper materials, and the need for community was greater than ever.
click to enlarge Custom Canes, Fisher/Leonard, 201l.
  • Custom Canes, Fisher/Leonard, 201l.

“Because our buildings are spread out through the town, the town really plays host to the festival,” observes Biddle. “To us, our community is like gold.” The food at the festival is all local, sourced within 25 miles.

The Wassaic Project Summer Festival is free, and will take place August 3-5 at Maxon Mills in Wassaic. Camping is available on-site. (347) 815-0783; Wassaicproject.org.
click to enlarge Beckoning Side to Side and Turned Away, Karl LaRocca aka Kayrock, 2012.
  • Beckoning Side to Side and Turned Away, Karl LaRocca aka Kayrock, 2012.

Speaking of...

Pin It
Favorite

Comments

Subscribe to this thread:

Add a comment

Readers also liked…

  • Carrie On

    • May 1, 2016
  • Parting Shot: Michael Crawford

    The painter and cartoonist who was a longtime contributor to The New Yorker passed away on July 12 at his home in Kingston.
    • Sep 1, 2016

Hudson Valley Events

submit event

Common Ground

Oct. 6-Nov. 13 — A photography exhibition by Ellen Lynch. The exhibit pairs separate photographs of...

View all of today's events

Latest in Visual Art

  • The Photography of Fred Cray
  • The Photography of Fred Cray

    • Oct 1, 2017
  • An Exhibit of Helen Frankenthaler's Prints
  • An Exhibit of Helen Frankenthaler's Prints

    Over 25 prints by the pioneering abstract artist Helen Frankenthaler are on display at Vassar College’s Frances Lehman Loeb Art Center.
    • Oct 1, 2017
  • Olana, with The Ancram Opera House, presents an original play in landscape
  • Olana, with The Ancram Opera House, presents an original play in landscape

    Performing Olana: Frederic Church living his art Olana and Ancram Opera House collaborate to produce a theater performance specifically created to take place in the landscape of the historic site. The dramatic work draws inspiration from Frederic Church’s paintings, letters, family life and the celebrated landscape and is presented as an immersive theater experience in which performer and audience journey together into Church's art. FRI 6PM | SAT 2PM, 4PM, 6PM | SUN 2PM, 4PM, 6PM Member: $10, Non-Member: $15, Family (up to 5): $40
    • Sep 21, 2017
  • More »

Related to Visual Art

More by Sparrow

Hudson Valley Tweets