Soluna Records, 2007

โ€œJassโ€ was the maiden term for jazz music when the form emerged from the streets and nightclubs of New Orleans and St. Louis. The twinkling Trio Loco plays up the pun, as its music crosses easily from jazz to Latin and straight-up loungeโ€”but itโ€™s all โ€œjassโ€ in the end. Fronted by รผber-crooner and gutbucket bassist Studio Stu, this recording features composer and SUNY New Paltz jazz studies director Mark Dziuba on guitar and the dynamite Dean Sharp on all things percussive. Engineer Paul Antonell of Rhinebeckโ€™s Clubhouse studio delivers a perfect mix, with Stuโ€™s Studivarious washtub bass sounding at times like a four-string standup or Fender Precision, and Sharpโ€™s drums have drive but never overpower. Dziuba is at the top of his game, whether composing (i.e., the instrumental opener โ€œMobile Infirmaryโ€) or running chords all over the neck on Pat Martinoโ€™s โ€œThe Visit.โ€ All the selections are more fun than a barrelful of matzoh, with some standard schmaltz (the Peggy Lee hit โ€œFeverโ€) mingled in with real gem arrangements (Johnny Mercerโ€™s โ€œIโ€™m an Old Cowhandโ€). Jass delivers the jazz on Thelonious Monkโ€™s โ€œEpistrophyโ€ (whose title means โ€œa word or phrase that repeats itselfโ€) with its ear-bending semi-tone melody. The farewell track, the trippy โ€œoddNormal,โ€ is remixed and looped by Sharp. Plan on spending many late, smoky nights with all this Jass.
www.myspace.com/triolocojass.

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