feminist

After a decade defined by the spare aesthetic of Mid-Century-inspired minimalism, the pendulum swing of design is heading toward joyful, riotous maximalism once again. With pitch-perfect timing, the Center for Curatorial Studies at Bard College (CCS Bard) is exploring this cultural moment by way of the exhibition “With Pleasure: Pattern and Decoration in American Art 1972–1985,” now on view through November 28.