Integrity of Form

Hudson Valley Furniture Makers Exhibition at High Meadow School

by Abby Luby, September 30, 2010

Furniture created as sculpture is functional art at its best. Tweaking the traditional craft is a strong sense of design paired with the whimsy of personal expression, one that honors the materials used, which is mostly wood. The upcoming show of work by members of the Hudson Valley Furniture Makers gives us a rare opportunity to see a body of contemporary, one-of-a-kind furniture in a large, common space. This is the group’s third annual show and runs from October 8 through 11 at the High Meadow School in Stone Ridge.

There is a wide range of styles; each pushes the edge of form and function. Michael Puryear’s sense of elegance references Shaker and Scandinavian designs; the toned, balanced mix of woods and metals are thematic to furniture by Rob Hare; Johnny Poux’s solid, sleek lines dominate his work made of hardwoods, stainless steel, and concrete. The sculptural stools and side tables by Kieran Kinsella seem to have oozed straight from the core of a tree to form solid, functional shapes sans glue or joinery.

Wood is the core material for these furniture makers. Their palette is the rippling patterns of the grain, the deep contrasting sap lines, the organic and lilting imperfections. It’s a unique respect for the material that moves their creative energy. Josh Finn, who started the group three years ago, finds the wood inspires him to replicate many lines and shapes he sees in nature.

There is also a “green” thread running through the group’s ethic, an effort to curb the makers’ carbon footprint. Most pieces in the show are made from locally grown trees, rather than exotic woods from overseas. Andrew Hunter, who uses Japanese hand tools to create his work, finds more wood from a downed tree in a backyard than from the mill. Many of the furniture artists also work with found objects.