One Hundred Miles North

Two hours and ten minutes by coach,

one hundred miles north of Manhattan,

en route to visit Saugerties via Kingston.

I take in highways, distant mountains,

shifting towns, step at length into

the flowing Catskill foothills.

The still-naked early orchards,

the seeming silence of silo farms,

the why of abandoned homesteads.

Rivers rise and fall. Picked up,

I arrive in Saugerties by the Esopus.

Business shingles, not neon, welcome me.

Under the cure of a blue sky, all things

here sweetly different: doggie bowls

at The Partition, pickle juice after bourbon.

Poets sitting at portables, typing

haiku for anyone who asks.

I even write my own:

On the sidewalk today

in the shade of a shoe store

writing poetry with soul

I savor the Jane Street Art Center,

Emerge Gallery, spend hours

at Inquiring Minds and Our Books.

Marvel at the abundance of benches

in the village, and the friends remembered

on small plaques on its lampposts.

A cop walks his beat, smiling.

BLM activists assemble in peace.

I sit, am still, take it all in.

—Patrick Hammer, Jr.

Spring Arrives In Five Senses

fresh green salad

tart lemon zest dressing

yellow Forsythia

a morning hug

the aura of her perfume

lingered all day

beaks break

through warm blue shells

ancient songs are born

the oar

splintered and dry

cuts through chilly water

seeds

explode with color

before you realize

—Daniel Brown

Fire isn’t Red, It’s Iridescent

I watched a car as it burst into flames

on 84 going toward Beacon.

I watched it end as fast as it began;

The corridor of headlights glistening.

In the presence of a flight

to another life

from the driver’s side,

I saw a rainbow in the night.

—Deirdre Alpert

The Method of Mountain Trees

Stone no barrier to growth,

tree roots snake into solid rock,

finding cracks to access what they need:

wet soil and the blood of planets.

They hold the stone

the way hands hold onto a cliff,

which is what I am doing right now.

Holding on. How much longer

must it be like this? How much longer

must I be cheek-to-cheek

with this rock face,

cold lover,

feet seeking something solid to stand on?

I feel her five billion years of indifference

and wonder what, ultimately, is the point.

Then I remember the miracle of trees

growing on mountains,

or how weeds sprout from highway roadsides,

and I find, once again, a way

to climb up off the edge.

—Richard Smyth

I Want

to tell you about the other House.

where my fingers can dance through

your

Thick

curls

long fingers

sweet mouth

I could play them like harps– reverberating notes of linen or heavy cream.

where I could read out loud to you and the air moves through the minds of plants and the sounds that frogs make.

I listen for whale sounds.

Deep, mournful, and longing–

like what sounds my chest would make if I reached in with my hands and found the spot that felt things.

—Kayla Noble

Lover’s Awbaed

Parting is such painful sorrow

What’s sweet is your soft sleepy smile

Yes, I know we’ll see each other tomorrow

But twenty-four hours proves too long a while

Lush from last night’s dew drops: shiver to alarmed air

Petal plucked limbs flutter from fae flowered bed

My Aurora, than in these precious moments you’re never more fair

Without our sappy Saphic mornings, I’d rather be dead

But alas, duties summon us beyond kiss-sealed doors

Ghouls pound and shout: full-force of unfun tensions

Necessary self-necromancy: phantom touches haunt me more

I can’t fault the world for wanting your affections

—Madelyn Crews

Commonality

When scraping away at dead leaves blanketing forest floors

one finds newts

When scraping away daily towards some human condition

one finds theology

There is much commonality, here.

Winter never settled on permanent polar zones

Spring is some fling always leaving

The sun melts our summer again

Autumn in a graveyard, alive, misleading.

There is much commonality, all year.

—Steve Grogan

Gmail

“Once you grab your stuff

We are going to become strangers,

You will never see or talk to me again.”

The algorithm suggests my responses—

“Okay, I will”

“What are you talking about?”

“What do you mean?”

—Shelby Lintel

I Watch Him Play The Piano

With marionette hands,

he strikes the keys.

The action hidden; the felted

hammers strike my chest.

The music rack, a skeleton;

he plays from memory.

And they become one,

a horse pawing the ground.

I see the whites of stallion eyes;

the pupils, accidentals.

The tempo changes, dove wings

and grackles stir my heart.

Like a gang of kids who scatter

when the cops arrive, I watch, breath bated.

The furor subsides.

No witness protection program for me!

I’ll take the stand.

Your Honor, there was no crime. Just

harmony.

The piano startles under my friend’s touch

like a newborn foal

akimbo. Again, the Prelude grows,

becomes stable.

My friend spurs on his baby grand.

Steinway holds the shiny black

curved lid mane upright.

On the fall board, his hands reign,

and I’m right beside him,

although across the room,

riding side saddle.

I watch knowingly, listen knowingly

although I’m no musician.

My hands ache to take to my dapple gray,

the laptop keyboard where I compose myself.

—Dawn Marar

The Wound

Because

we are through

and no one

is to blame

there is a hole

in my throat

that once held

laughter.

—Susan Liev Taylor

The Map Man

He could read all kinds of topographic maps,

and spoke at least five languages.

He dressed well, if a little behind the times,

and his hands were smooth, his voice lilting,

and his shoes as polished as a general’s.

He didn’t laugh loudly, preferring a polite chuckle.

And was no drinker, save for the occasional glass of port.

What he did for a living was mostly rumors.

Some said he was a nuclear scientist.

Others figured him for a spy.

But he gave no indication of either.

Except, from time to time, he’d been seen

doing what looked like lip-reading

a conversation across the room.

He lived alone in one of the new townhouses.

No one ever saw him with a woman,

just the occasional male friend

in a fancy wine bar.

The maps would be spread out on the table.

And someone once overheard

what sounded like German or even French,

as he pointed at various brown contours,

bright blue lakes and rivers.

Maybe he’s planning an invasion,

was one old guy’s suggestion.

He was a local mystery,

one desperately needed,

for knowing everybody else’s business

could only take a person’s boredom so far.

Folks would stop and stare

when they saw him out and about.

If not for him,

they never would have wondered.

—John Grey

Truth Takes A Mental Health Day

Truth started dressing differently, cut off all of its own hair

And walked in, announcing it was buying a drink for everyone.

It looked different, laughed differently and held its cigarette strangely.

This is now where truth lies,

In the badly lit mess of a dive bar,

Angry at being restrained by strangers from hurting itself.

—Alec Gourley (Algo)

Sonnet

He was sick a long time

hoping quickly to recover

but that did not happen

sadly he discovered.

The cause was unknown

but people speculated

that it was because he

was not vaccinated.

But some say that’s nonsense

and not at all related

and that he had what he had

from women whom he dated.

People look but no one sees

the real cause of his disease.

—Roger Whitson

Paper Planes Make Great Poetry

shoots across a sky a hundred tiny papers form the shooting stars I wish upon at night. A hundred tiny letters fill a page, maybe two. Fold it up for fun, stare at it but only for a few. Throw it out and watch the story you had written fly up to the moon. All these paper planes one belongs to you. So next time you scribble down some words, Fold up your paper and throw it to the moon because for some reason paper planes make great poetry.

—Bella Barbera

Phillip X Levine has been poetry editor for Chronogram magazine since June 2003. He is also the president of the Woodstock Poetry Society. "All the people I was going to be when I grew up - they're still...

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