Nova Ren Suma Credit: Jennifer May

Iโ€™ve always been fascinated with poisoning. Itโ€™s a hard thing to talk about at a dinner party,โ€ says Susannah Appelbaum. She describes a mushroom known as the inky cap thatโ€™s not dangerous at all unless itโ€™s combined with alcohol. โ€œSo the way you poison someone is to make a mushroom dinner and pour them a lot of wine. You eat the food too, but donโ€™t drink anything,โ€ she says with a knowing smile. โ€œPoison is sly.โ€

When Applebaum was around four, she tasted an alluring blue flower in her auntโ€™s garden and wound up in the hospital for three days. Several years later, she took to crossing an old railroad trestle near her New Paltz home. โ€œThis was in the pre-Rail Trail days, so there were ties missing, it felt very dangerous. I used to look down and think, What if there was a little man living under there?โ€

Appelbaumโ€™s debut novel, Poisons of Caux: The Hollow Bettle (Knopf Books for Young Readers) features trestlemen, a trained crow, a wild boar, some exceedingly scurvy knaves, and a mysterious jewel. Her feisty young heroine, Ivy Manx, has a way with plants, both healing and lethalโ€”a valuable skill in a land where the rule is โ€œPoison or be poisoned.โ€

Tall, striking, and regally poised, the author resembles a fairy-tale princess whose basket of apples may not be entirely safe. Sheโ€™s the daughter of poet, SUNY New Paltz philosophy professor, and Codhill Press publisher David Appelbaum; her mother died when she was eight. A voracious reader, young Susannah wasnโ€™t allowed inside her fatherโ€™s office, but โ€œIโ€™d peer around the door at his writing tableโ€”the same table he still usesโ€”piled with messy papers. He was a pipe smoker back then, so there was a haze in the room. It was a place that was very intriguing.โ€

When David Appelbaum went to teach at the Sorbonne for two years, his teenage daughter learned French by the โ€œsink or swimโ€ method. She attended NYU, traveled abroad, and found work as a magazine editor, shunning New Paltz for 13 years. โ€œBut like some twist of fate in a story, I guess I was destined to raise my kids on the same playground I played on,โ€ she says. She and her husband moved back here nine years ago and just built a house, which he designed; the paint on the porch is still wet.

Though the Poisons of Caux trilogy targets young readers, its supple prose and award-winning artwork will also entice adult readers of fantasy. Itโ€™s hard to resist a character introduction like โ€œMr. Sorrel Fluxโ€™s heart, in fact, which pumped its limp business inside his chest, was just as hard and calloused as the rest of him. It was stony and small, and if someone had plucked it from his chest and thrown it at you, it would have certainly left a bruise.โ€

The trilogyโ€™s second volume, The Poisonersโ€™ Guild, will be released in August 2010; Applebaum is currently writing the third. The mother of two young children, she often wakes at 4:30 and writes until her husband leaves for work. She treasures the quiet intensity of predawn hours. โ€œYouโ€™re transferred from your dream world right to your desk,โ€ she avers. โ€œThe less time from bed to desk, the better.โ€

On her first publication day, Appelbaum took a day off. โ€œI allowed myself a day of celebration before I went back to work,โ€ she says. Though she was afraid to go into bookstores โ€œin case they didnโ€™t have it,โ€ she did make a stop at New Paltzโ€™s Inquiring Minds. As she passed a college-age woman making a purchase at the cash register, the salesclerk said, โ€œThis author will be signing books later this month.โ€ Appelbaum turned, and the book in the young womanโ€™s hand was The Poisons of Caux. She was exultant. โ€œThatโ€™s me! You canโ€™t beat that feeling.โ€

Or maybe you can. She just received an e-mail from a male reader who wrote that he wished the book would go on and on, and couldnโ€™t wait for the next volume. โ€œI guess itโ€™s officially my first fan mail.โ€ Appelbaum shakes her head, smiling. โ€œYou can float on that for, like, a week at 4:30 a.m.โ€

WOODSTOCK NOIR
Appelbaum is not the only Hudson Valley-raised young-adult writer enjoying a first publication this fall. Four days before publication of Nova Ren Sumaโ€™s middle-grade novel Dani Noir, the author can barely contain her excitement. โ€œI donโ€™t think Iโ€™m going to stalk the book in stores, but honestly, if I walk past a bookstore, how can I not go in?โ€ she says.

Dani Noir
(Aladdin) is set in the mythical Catskill town of Shanosha, where 13-year-old Danielle Callanzano is spending the summer after her fatherโ€™s desertion chilling out at the townโ€™s art house cinema. Her imagination inflamed by film noir classics, she starts stalking a teen femme fatale wearing polka-dot tights.

You wonโ€™t find Shanosha on any map, but Suma grew up all over Ulster County, living in Saugerties as a young child. After her parentsโ€™ divorce, she moved with her mother and two younger siblings to Accord, with forays to New Jersey and Pennsylvania. Midway through high school, she finally settled in Woodstock. โ€œIt was the first time I ever lived in a town where I fit in,โ€ she says gratefully. โ€œThere were other kids with funny names and hippie parents.โ€ (Nova means โ€œchases butterfliesโ€ in Hopi, and ren means โ€œlotus flowerโ€ in Japanese.) โ€œIt seemed like what was weird in other places was the mainstream at Onteora [High School]. The jocks and cheerleaders were weird.โ€

Suma was voted โ€œmost individualisticโ€ in her high school yearbook. She liked to hang out in the Woodstock Artists Cemetery with friends, writing in notebooks. โ€œAnd you had to go to the Green,โ€ she recalls. โ€œThe stores would close, the tourists would go home, and the teenagers would come out. Every night.โ€

Suma and her friends also snuck into the Ashokan Reservoir to swim and camp out, eluding the cops. Sheโ€™s tapped this material for an upcoming young adult book, Imaginary Girls, in which a teenager dares her sister to swim across the reservoir. Theyโ€™re separated, and a body turns up. โ€œBasically, itโ€™s the night when everything goes wrong,โ€ she says; thereโ€™s also a hint of the paranormal. Her unfinished manuscript sparked a two-day bidding war among six publishers. โ€œMy constant comment was, โ€˜Is this really happening?โ€™โ€ says Suma. โ€œI thought I was going to faint.โ€ The book will be published by Penguin/Dutton in the summer of 2011.

Ironically, Suma didnโ€™t read young adult fiction when she was that age. โ€œIn seventh and eighth grade we were living in Accord, on a dead end up several dirt roads. It was so remote. Iโ€™d sit on the roof and see nothing but treetops,โ€ she recalls. โ€œThere was no library, and my mom couldnโ€™t buy me books, so I was always scrounging.โ€ Her mother, who currently lives in Beacon and runs a recovery program, was an avid reader, and the house they were renting had books left on the shelves by previous tenants. Suma read Margaret Atwood, Marge Piercy, and The Mists of Avalon (a particular favorite), alongside Ann M. Martinโ€™s โ€œBabysitterโ€™s Clubโ€ series.

She attended Antioch College in Ohio, where she met her husband-to-be, filmmaker Eric Ryerson. The young couple moved to New York, where Suma got an MFA from Columbia University, studying with Maureen Howard and Sigrid Nunez. She wrote two novels for adults, both โ€œstill under the couch,โ€ while supporting herself with editing jobs at Art Spiegelman and Francoise Moulyโ€™s RAW Books & Graphics, on Marvel Comicsโ€™ X-Men series, and at Penguin and HarperCollins. Suma also published stories in such literary journals as Gulf Coast, Orchid, and the Portland Review, and won fellowships from NYFA and the MacDowell Colony. While she was working as a copy editor at Penguin, she started ghostwriting middle-grade series books. Though she found it frustrating to carry on somebody elseโ€™s characters, she realized how much she loved writing for tweens.

โ€œI always wrote about teenagers,โ€ she admits. โ€œThe difference is the distance. Youโ€™re not a 30-year-old looking back at being 14; instead, you are 14. I really remember being that age. Everything feels so urgent and important.You donโ€™t feel like a kid any more, but everyone treats you like one.โ€ From Dani Noir: โ€œLetโ€™s just say if a grown-up wants to watch the news, youโ€™ll watch the news. If a grown-up wants chicken for dinner, grab your fork because youโ€™ll be eating chicken. You canโ€™t make your own choices, watch your own TV channels, or eat your own food until the world freezes over, or, I donโ€™t know, college.โ€

Suma currently lives in Manhattan. Her apartment is too small to work in, so she carries her laptop to favorite cafes and a Writers Room office. Gazing out at the sun setting over the Catskills, she admits that sheโ€™s starting to dream about having more space. It could be someplace in Brooklyn, or it could be farther upriverโ€”all very mysterious. Follow that girl in the polka-dot tights.

Nova Ren Suma will read from Dani Noir at the Golden Notebook in Woodstock, on Friday, November 27, at noon.

Nova Ren Suma Credit: Jennifer May
Susannah Appelbaum Credit: Jennifer May

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