Sound Check: Diane Eber of The Egg

Music runs deep in my bones. I got into the live music business because time stops for me at a show. I grew up surrounded by classical and jazz (both my parents were musicians), so I had to work pretty hard to find pop music outside the house. At Vassar College, the first show I…

Poetry | April 2026

What IfWhat iflife happens in line at the supermarket—when your cart nudges someone else’sand you both say “sorry”at the exact same timeand laugh like you’ve shareda secret. Or in the post office,when the clerk with tired eyesnotices Happy Birthday written on the boxand asks, “How old?”and you tell her eight,and she smiles in a waythat…

CD Review: “The Sun Sessions” by the Vibeke Saugestad Band

This delightful, sunny power pop debut hits all the right notes in this frigid winter season. The Beacon-by-way-of-Norway frontwoman Saugestad has assembled a crack band of some of the Hudson Valley’s finest rock ’n’ rollers, including Fleshtones bassist Ken Fox, Knock Yourself Out guitarist Josh Stark, drummer Adam Napell, and guitarist Mark Westin. “Another Light”…

CD Review: “Intersections” by The Professors

There’s a lot of space in Mark Dziuba’s guitar on the Professors’ new disc Intersections (Artists Recording Collective Records). That alone is a very welcome thing. It allows breathy conversations with Vinnie Martucci’s’ piano over the top of a tightly skittering rhythm section anchored by drummer Jeff “Siege” Siegel and bassist Rich Syracuse—top-flight players, all.…

CD Review: “August” by Karen Schoemer

At a staggering 31 tracks, one for every day of the month, Karen Schoemer’s August (Dromedary Records) is a poetry reading coming through your headphones from a far-off, sun-worn desertscape. Foregoing catchy riffs for cathartic lines of poetry, August is a collection of spoken word vignettes set to instrumental music, warbling like the shimmering summer…

Widening the Creative Circle: Deborah Masters Studio

In the wide, light-filled studio in Chatham, where Deborah Masters built her monumental sculptures, something new is taking shape. The work is still here—drawings, works on paper, and large-scale pieces that carry the physical confidence Masters was known for—but so is a living, expanding community of artists who once orbited her, learned from her, or…


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