July 2010

Jul 1-31, 2010 / Vol. 18 / No. 10

Shreker’s Opera The Distant Sound Opens July 30

Franz Schreker’s The Distant Sound, though familiar in Europe, has never yet – in the century since its composition – been fully staged in North America. With lush, sumptuous music, Schreker’s opera explores the complexities of love, eroticism, and art-for-art’s-sake idealism. It tells the tragic story of Fritz, a composer who forsakes Grete, his beloved,…

Bard SummerScape 2010: Judgement Day

Judgment Day (“Der jüngste Tag”), a gripping 1937 drama by Austro-Hungarian Ödön von Horváth, opened yesterday as part of Bard SummerScape 2010. A runaway hit of last fall’s theater season in London, the play implicitly investigates the roots of Nazism among Austria-Hungary’s ordinary working people. Endowed with topical themes and a compelling plot and characters,…

Bard SummerScape Festival

The Trisha Brown Dance Company kicks off the eighth annual Bard SummerScape festival this week with the trailblazing choreographer’s most recent piece – L’Amour au théâtre (2009), two of her legendary Rauschenberg collaborations – Foray Forêt (1990) and You can see us (1995), and a duet from her 1996 piece, Twelve Ton Rose, which is…

Public Works

The 2010 Powerhouse Theater season is in action at Vassar College with John Patrick Shanley’s “Pirate” and Tracy Thorne’s “We Are Here” on the mainstage.

River Town Rising

Rosendale resident Sari Botton illuminates the surprisingly happening, environmentally progressive small town known best for its many festivals and cement.


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