Andrew Garn
All images by Andrew Garn | Photo of Andrew Garn by Hillary Harvey.
 Wild dog standing in coke oven dust |

A graduate of SUNY New Paltz, Andrew Garn spent time as an undergrad photographing Newburgh's unique architecture in the late 1970s. In late 2004, after publishing half a dozen books of photography on everything from subways to houseboats, and shooting on assignment for the
New York Times Magazine,
Forbes,
Newsweek, and other publications, Garn returned to Newburgh to open PhotoNewburgh, a gallery dedicated to photography, at 113 Liberty Street. (Exhibiting at the gallery through June 24, photos by Daniel Goodwin: "The CIA Museum and the Bush Surveillance.")
In 2000, Garn traveled to Russia to photograph the massive Magnitogorsk industrial city in the Ural mountains. The Magnitogorsk ("Metal City") plant stretches for over 13 miles and contains hundreds of structures. These buildings include blast furnaces, welding shops, soaking pits, and combination mills designed solely for the fabrication of steel products. By comparison, the now demolished US Steel plant in Pittsburgh covered only five contiguous miles. The sheer vastness of the Magnitogorsk plant is unparalleled throughout the world. The Magnitogorsk project was funded by a grant from the Graham Foundation for Advanced Studies in the Fine Arts. This is the first publication of Garn's Magnitogorsk photographs.
In April 2007, Rizolli will publish Garn's next book, Exit to Tomorrow: The History of the Future, a pictorial compendium of world's fairs in archival photographs and new images by Garn, with text by Paola Antonelli, design curator at the Museum of Modern Art. Portfolio at www.andrewgarn.com
—Brian K. Mahoney
Andrew Garn on the Magnitogorsk project
I did a book on Bethlehem Steel in the late 90s, and the history of the plant was so rich—they built the Chrysler building, the George Washington Bridge, the Golden Gate Bridge. It wasn't the biggest steel plant, but it was the most diverse. It's sort of a cross between industrial and technological architecture between 1820 and 1970. After that book, I asked myself, well, what do I do now? I wanted to continue documenting industrial sites, so I did some research and found out there's not that much industry left in the Unites States, or grand industrial sites, like Bethlehem Steel. So I looked abroad.
There was an industrial sales conference at the Plaza Hotel where Russian corporations were encouraging Americans to invest in Russia—this was in the boom time of early 2000 when everybody was putting their money into Russia. I sort of snuck in—I wore a business suit—and I got all this information about these Russian companies. So I found these incredible plants, and I wrote to about 10 of them, and I received a number of replies, but the more I found out about Magnitogorsk, the more I was compelled to go there.