Dust and Stone

By shout and scrape of shovel

the blue was moved from slumber

Its’ well-knit cap of soil and root

undone and set asunder

And now the “live” stone bare

to men’s grasping reach and eyes

A turn began to circle ‘round

the takers of this prize

The Boss, he works his “property”

The Red Shirt—plug ‘n wedge

And each thinks it’s the other

who plays the role that’s less

The Boss will say:

“This is my due—I made this enterprise!”

The Quarryman says “hardly, friend,

it was my arms and pride”

But ‘twas stone that drove the days

all eyes, and lives, were bent its way

And every lick of cut and dress

the stone’s own story tells

Now, those who mine for dollars

in the veins of sheet and ledger

Calculate from pit to dock

their profit’s proper measure

The grade 1 slabs by Rondout

as earthen coin’s arrayed

But drawn as much from flesh ‘n blood

as from the quarry face

‘Cause how many limbs bent breakin’

from the wagon’s sudden slip?

How many eyes put out

by the wedge’s errant sliver?

The Red Shirts shunned by settled folks

consigned to shebeen hollow

Unbowed by injury and slight

the blue runs in their marrow

But ‘twas stone that drove the days

all eyes, and lives, were bent its way

And every lick of cut and dress

the stone’s own story tells

One hears a groaning stone boat

brings “jus six and seventy cent”

As bitter bargains must be struck

for cartage, toll and rent

And as Boss and Red Shirt breathe their last

that dusty rattle cough

One still gasps “too much, too much”

the other cries “no, not enough!”

So soon Boss and Quarryman

are laid for root and soil

Countless ages pass and witness

the earth’s infernal toil

Bones make dust and grain for stone

and the vein lifts close to sun

Soon, there’s scraping on the cap

a circle round’s begun

‘Cause ‘twas stone that drove the days

all eyes, and lives, were bent its way

And every lick of cut and dress

the stone’s own story tells

From fine grained rock to low born men

to Vanderbilt’s own glory

Fate, you see, is certain dust

and in the stone it dwells

—Mark Foley

Open Mic

I have a slouch, + a square jaw

my adams apple collects shaving cuts

+ I stand there w/ a slouch + shaving cuts + a skirt.

My voice feels ridiculous.

It was food poisoning or a late dose or something

but it felt 10 degrees colder.

I stood in the back w/ a jacket

+ hugged people for way too long.

+ all the backs + the backs of necks

faced down the patio @ the discarded mic stand.

In front of the street

where bikes blasted dance music

+ dogs held debates

the backs of necks watched faces playing banjos + guitars

slouching across tables + chairs or standing + I was in the back

, standing

, slouching.

The sky was still blue through the trees but getting darker

+ one guy was sitting next to the stage watching me

not watching the show just watching me

it took me 3 or 4 sets to notice

+ I sipped some more beer + cleared the sidewalk for pedestrians.

He got up mid set, clay w/ marble eyes

+ walked slowly away from the stage

staring @ my face like I was the door

+ I stared through him @ the stage like it was a stage

sipping more beer + stretching in my bad posture

+ he stared @ the back of my neck + was gone

+ by then it was almost dark.

The beer w/ tip cost over $11.

—Taffer

The Tulip

I love how the tulip dies

splayed

reaching

vibrant

its last act:

expansion

the tulip doesn’t

wither

or shrink at life’s violence

Fascism wants us small

and scared and isolated

When the world presses down

Be the tulip

—Alexandra Poole

Preparing for the Future

When I was small

In the rowboat a little

Bolt lay near a feather

And I picked them

Both, tucked them in

My pocket.

I thought

This boat may need

Repair

Some future bird may

Need a thicker coat

—Harry Schiller

Fool’s Gold

A brilliant display:

anything is everything

and nothing

all at once.

—Megan Konikowski

Watching You Watching Birds

We own a book about New York birds—

A reference guide you bought me for my birthday,

I leafed through in our one-bedroom apartment,

Admiring the feathers, shades of gray and tawny brown,

Folding down corners, intentions to read more.

We live in a house now—between houses,

You start cataloguing during morning coffee,

A gray catbird, a goldfinch, a robin.

I watch you from the window,

You stand still in the grass.

Eyes open to the sky,

Sitting on a chaise after dinner. Simply staring.

The night is cool—late summer,

And I watch you watch humbly,

Cataloging your findings in silence.

You’ll return to the book, I’m sure,

Tell me plainly over dinner what new birds you can tally,

You’ll leave the pages un-earmarked,

The checklist empty. You’ll barely break the spine.

“After all,” you’ll plainly state,

“The book’s your birthday gift.”

—Carolyn Keogh

Pigeon Head

It doesn’t happen a lot but every so often I think of you

When I’m staring at the starless night sky

When I’m under any rain kissed umbrella

When I’m gazing at our plaster pigeon head

When I eat my bowl of fruit in the morning

When I see ladybugs dancing in the grass

When laughter escapes my very breath

And there’s so little I know about you

And there’s so much I want to do with you

And there’s everything I want to be with you

You’re on my mind all the time

—Steven Surprenant

We Drove

through snowstorms thick as television static

headlights swallowed whole

dead deer opening their ribs to heaven

along the shoulders of the highway

every blind curve felt chosen

every passing truck

a possible extinction

we lived because something allowed it

luck perhaps

or distracted angels smoking in the dark

—George Cassidy Payne

Sunset Homage to John Latham

Saffron

Horizon sphere

Afire, west facing haze.

Iconic chroma color set

Full Stop.

—Tina Dybvik

River Rock from Big Bend

I love this rock,

the way it fits in my hand.

It’s granite, pretty sure,

easily turning in my fingers.

Smoothing my skin against my bones.

A tooth of the earth from jaws of dirt.

One side round and the other two straight,

making a soft point like a New York slice.

Thick like a cookie after eons in the Rio.

A dark gray ocean of dark blue ripples.

It feels like I could mold it.

That’s only human thinking.

—Kyle Kopp

Rotary Park on the Hudson

gusty north wind

the ebbing tide

flattens the waves

the white sailing boat

comes about

along the far shore

empty pavilion

song sparrows

mating on the charcoal grill

—Nancy Beard

Love the Dust

Love the ground

on which you stand.

Find what glitters

amid the dust.

But most of all

Love the dust.

—Amanda Nicole Gulla

Haiku Variations #11: A Short Story

On the edge of a

robin’s song, I danced my way

to school this morning.

The roads were still wet from last

night’s rain and the worms slithered

roughshod—basking in

the dampness of a new week.

They say May flowers

bring pilgrims. Today they brought

me peace, and quiet, and to you.

—J. D. Louis

It’s

It’s the persistent cry of

the hungry cat on your bed at 5am.

It’s the first day of spring

after a long brutal winter.

It’s the bright full moon

on a still, cold winter’s night.

It’s the brightest stars ever,

on a night without any moon at all.

It’s the first shared act of love,

in a lonely young person’s life.

It’s becoming who you are,

and being comfortable with it all.

It’s hearing an old song,

bright and new for the first time.

It’s having a dream so vivid,

that reality pales in contrast.

It’s walking through the woods

with an excited young dog.

It’s hand feeding fish,

while sitting calmly in the water.

It’s realizing something’s true

that always was and always will be.

It’s the fresh green grass

of a newly mowed lawn.

It’s the ever-changing clouds

in a deep blue windy sky.

It’s like being surprised by a festival

of millions of fireflies in your own backyard.

It’s the ever-blessed recurring rain

especially after a long dry spell.

It’s the bright taste of a fresh orange

in the early morning awakening.

It’s finding someone you can live with

all the time without even talking.

It’s vividly meeting an old friend

you haven’t seen forever.

It’s like reading someone else’s poem

that you could have also written.

It’s always the next breath coming,

until finally it’s the last one.

It’s just like everything else, really.

—Bob Grawi

Phillip X Levine has been poetry editor for Chronogram magazine since June 2003. He is also the president of the Woodstock Poetry Society. "All the people I was going to be when I grew up - they're still...

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